Fujifilm GFX 50S Mark II Medium Format Mirrorless Camera

Warranty Covered by Official Fujifilm Singapore
-1 Year Warranty

Redemption Last Date : 9th of July 2023
**Remember to bring along your warranty card and receipt/invoice upon your redemption at FUJIFILM Studio.

1st June – 30th June 2023 Promotion Freebies :
[REDEEM @ FUJIFILM STUDIO IN SUNTEC CITY]
-Battery
-256GB UHS-II SD Card x2
-Fujifilm Mask
-1 Year Prestige GFX Membership
-MYP Lucky Dip

51MP 44 x 33mm CMOS sensor
In-body stabilization offering up to 6.5EV correction
3.2″ rear touchscreen with two-axis tilt
3.69M dot OLED viewfinder with 0.77x (equiv) magnification
Top-panel status LCD
Pixel-shift high-res mode gives 205MP images
Battery rated to 440 shots per charge (CIPA)
Full HD video at up to 30p, with headphone and mic sockets

Image Stabilization
The biggest change compared with the previous 50MP GFX models is the addition of image stabilization. It barely needs saying how valuable image stabilization can be, especially for expanding the range of circumstances in which you’ll get the camera’s full resolution. At a stroke, it means you’re much more likely to see the camera’s full benefit when shooting hand-held.

Dynamic range
In terms of dynamic range, the sensor performs very well. An ISO 100 file pushed by 6 stops shows only a little more noise than an ISO 6400 image shot at the same exposure (the difference stemming from electronic, read, noise). This is a pretty good result, which gives the option in low light, high contrast situations, of dropping the ISO setting to retain highlights, rather than amplifying them to the point where they clip. You can do this in the knowledge that brightening the rest of the image won’t reveal much additional noise.

Viewfinder
One area in which the 50S II loses out, compared to its forebear, is in terms of its viewfinder. It uses a similar 0.5″ type 3.69M dot OLED EVF panel but it uses the smaller, lower-magnification optics from the GFX 100S, giving it ‘only’ 0.77x magnification (in full-frame terms). This is down from the 0.85x magnification of the original 50S, but is still competitive with the likes of Canon’s EOS R5, for instance.

The other area in which the 50S II falls behind its predecessor is that the viewfinder is built-in, rather than being removable, which also means there’s no option to add the EVF-TL1 tilt adapter between the camera body and viewfinder.